#you can send more for these two

[rheddradio]

✏️

Rhedd: Cal is playing hard to get.

Rhedd: Little do they know, I'm a master at playing hard to get rid of.

[blednokrov]

Pretty much all of girlpiece art I've made so far in one post (more is to come!!!)

[djotime-allthetime]

Freaky Red Carpet

synopsis: your final red carpet appearance with fred for gladiator ii. (your first public appearance as a couple?)

wc: 4k+

warnings: rpf! reader is specified to be inexperienced!

a/n: same general vibes as the last one but more introspective ig, but we go into more specifics here as well as some backstory.

italics are supposed to be comments under tiktok clips of the premiere. feedback is writer's fuel!

cross posted on AO3

<<previous part

The screams and chaos of the premiere crashed over you as you stepped out of the car, a security guard’s hand reached for yours to steady you. This was it, the final big event. Even though it wasn’t over just yet, the nostalgia was creeping in, soft but persistent.

“Hey, pretty girl.” Fred’s voice pulled you out of your thoughts. He stood only a few steps ahead of you, having just arrived himself. Your gaze softened, lingering on Fred, oblivious to the cameras snapping away. “You look…” His gaze dipped once—then again—tracing your figure. A soft, unguarded smile tugged at his lips, as if he didn’t realize he was doing it. As if he was completely enraptured by you. “You’re stunning, you know that?”

The ability to speak escaped you for only a moment, the words caught in your throat. “...Fred, you can’t-”

“No, I’m serious.” He shook his head, eyebrows raised. He walked forward and placed his hands on your shoulders, holding you in place to continue studying you, as if he was in awe. “Look at you.” His eyes finally found yours again. “You’re gorgeous, y/n.”

“Thank you.” The words felt stronger than your voice. You weren’t insecure—you knew you looked good tonight. But having someone say it like that—having Fred say it like that, like he couldn’t even keep the thought to himself—it nearly brought you to tears.

A deafening roar of cameras and voices dragged you back to reality. The glow of flashing lights blurred at the corners of your vision, and distant shouts of your name cut through the haze. You straightened your posture instinctively, smoothing invisible creases in your dress. But Fred could see it. He could see that small moment you tried to keep to yourself.

“Hey, come here.” He spoke softly, less of a request and more of a warning of the oncoming embrace. He pressed his hands between your shoulders blades once you settled into him, chin hooked against his shoulder. “I’m sorry.”

You shook your head vehemently, the silky smooth finish of his suit rubbing against your neck. “You’ve got nothing to be sorry for.”

“I made you emotional.”

“You always make me emotional.” You chuckled, voice light to keep the tears at bay, unsure why they even came in the first place. “You look incredibly handsome tonight.” 

“Yeah?” He asked, his smile and excitement clear in his voice.

“Of course.” You pulled away and jerked your chin at his outfit. “We’re almost matching.”

With a quick second look at the color scheme of your outfit compared to his, Fred’s eyes lit up. “We are!”

“I think Grant and Leslie set us up.” You squinted your eyes conspiratorially. “I heard them talking about ‘all black looks’ yesterday.”

“Really?” He raised his brows at the information. “Come to think of it, Leslie refused to even entertain any of my suggestions today.” Fred laughed it off and reached down to hold you. His hands smoothly slid down your arms until they arrived at your hands, interlacing your fingers together. “Come on.” He tilted his head toward the carpet behind him. “Walk with me.”

“Down the carpet?” You gawked, frozen in place as he gently pulled you in the direction of the flashing lights.

“Yeah pretty, down the carpet.” Fred chuckled like you were joking. “It’s why we’re here, isn’t it?”

“You wanna take pictures with me? Like us- together?” You whispered to Fred, not fully paying attention to the cameras already catching every moment. As Fred’s hand tightened around yours, you realized.

You weren’t exactly hiding this—not entirely. Your blossoming relationship, that is. Keeping things personal and quiet felt right for both of you. But this—walking a red carpet together—had never been part of the plan.

“‘Course I wanna take pictures with you.” Fred answered, eyes soft but certain. “We worked super closely on this movie, y/n. I don’t think people will over analyze if we take pictures together on the carpet.” He shrugged. His words meant more than that, though. You knew he meant that you could do whatever you wanted. That you shouldn’t limit yourself in your relationship just because you wanted boundaries. Keeping it private didn’t mean keeping it a secret, like you were doing something wrong. 

“Besides, you’re my Lovie.” His voice softened, almost shy, like he wasn’t sure if you’d still claim the title in front of all these people.

Your neck grew warm at his words.

Lovie.

That was the name you and Fred called your deliberately unnamed character throughout filming. Caracalla called her ‘my love’ almost exclusively in the script. So it became your quick shorthand between each other. And soon after, the rest of the cast and crew called your character that as well. But it was different with Fred. After a while, it stopped being her name for him. It was you. You were his Lovie.

“Oh- Okay, yeah.” You nodded at Fred, accepting the idea of walking the carpet together, though still slightly apprehensive. 

“Yeah?” He asked again, just to make sure. And with another nod from you, Fred’s victorious smile lingered as his hand settled on the small of your back, sending sparks up your spine. “Gotta show off my girl,” he murmured, his hand pressing a little firmer into you. You weren’t sure if he wanted you to hear that or not, but you did. The way Fred could unravel you, seemingly without even trying, felt wildly unfair—like every tender gesture was second nature to him. 

He led you up the crimson steps, where the carpet shimmered beneath camera flashes and distant voices blurred into a roar. Your name and Fred’s were being called from every which way. Before you could stand still and face a specific group of photographers, Fred moved away from your side all of a sudden, his steps quick and fluid. 

“Fred?” you asked, instinctively glancing over your shoulder.

“One second.” His voice was low, nearly lost in the noise. When you turned, you saw Fred at your other side by your feet. He crouched smoothly to get closer to what he was after. The train of your dress. It wasn’t that long, but the small trek up the stairs had it all misshapen. With precise movements, he tugged at the fabric to position it into place. After he straightened it out sufficiently, he stood back up and stepped around his handiwork to come back at your side, arm looping around your waist to pull you back into him.

“You didn’t have to do all that.” You looked up at him through your lashes as your hands came up to rest against his chest. You adjusted his lapels in a subconscious attempt to return the favor, brushing away the imaginary lint on his chest and shoulders. Fred visibly blushed at your words, your hands on him, the way that you were looking at him, all of it. You displayed your emotions in a way that even he couldn’t dismiss. Not that he would want to. He loved it. Every moment. Being cared for so openly made his heart flutter and his ears turn red, it was exhilarating.

“I wanted to.” He reassured you, head nodding down softly, a subtle attempt at getting closer to you.

A piercing shout of your name followed by a burst of blinding light shattered the quiet moment.

The soft bubble you and Fred had built around yourselves burst, replaced by the harsh glare of cameras and the relentless hum of the crowd.

You dropped your hands from Fred’s chest, suddenly aware of how close you were.

But Fred’s hand stayed where it was, anchoring you in the thrashing waves of it all.

You turned this way and that, following the voices of photographers as they shouted out different poses they wanted to see.

“I could get used to this.” Fred spoke quietly, leaning down to whisper into your ear. 

You frowned in confusion and turned to look at him. “Which part exactly?” You asked. 

“Having the prettiest girl in the world on my arm.”

“Was this your plan tonight?” You couldn’t hide your grin no matter how hard you tried. “To kill me with compliments?”

“Not a bad way to die, no?” Fred furrowed his brows in faux seriousness, his mouth twitching in that way it did, a twinkle of mirth in his eyes.

You rolled your eyes with a giggle. “You’re a horrible man, Fred Hechinger.”

‘idk if they’re together or not and i want to be respectful but theyre literally the cutest people ever and if its true then theyre perfect for each other 🥺 truly wish them the best’

‘the mouth thing he does is actually the cutest thing ive ever seen’ ↳ ‘hottest. i think you mean hottest.’

‘look at the matching outfits!! i can’t! theyre too frickin cute!!!’ ↳ ‘its just all black lol y’all read into things too much 🙄’

‘we need a lip reader up in here 🗣️🗣️’

‘we love a man who knows the importance of the dress’

‘how does she just look better and better at each public appearance?!’

‘this is flirting one million percent’

‘either theyre together or theyre idiots, because this just might be true love’

‘we can’t assume that every interaction in hollywood means something more than it is, give them the privacy they deserve!’

‘what are they SAYINGGGG?!!?!’ ↳ ‘it definitely looks like he said ‘prettiest girl in the world’ there at the end, right?? call me crazy, but i can see his mouth moving so clearly it has to be it!’ ↳ ‘you’re definitely crazy, but also you’re definitely right’ ↳ ‘you’re right!!!! isn't that so relationship goals??’

Towards the end of the carpet, the rest of the cast were gathered to take a group photo. Paul saw the two of you approaching and his eyes lit up. 

“Took your sweet time, didn’t you?” He teased the two of you. “Been waiting all night!”

“Sorry,” you ducked your head as you confessed, smiling sheepishly. “Entirely my fault. I came late.”

“Ah, come here.” Paul laughed as he brushed it off and pulled you into a hug. “You look stunning.”

“And you’re handsome as ever.” You returned the compliment.

Paul pulled Fred into his side once you withdrew. You saw him whisper something into Fred’s ear, and Fred laughed and whispered something back, but you couldn’t quite make any of it out. 

When Fred pulled away, you shook your head at him with furrowed brows and pursed lips. A small way of asking ‘What was that about?’ Fred smiled and shook his head, ‘Don’t worry about it.’

“Alright, you two!” Paul clapped his hands, breaking the moment. “Picture time!”

“Do I look okay?” You turned to Fred, hand coming up to make sure your hair was in place. You were facing him now, your colleagues to one side of you and the expanse of the carpet on the other side. 

“You always look perfect.” He answered, eyes struggling to stay on yours. Always dipping down to your neck, your shoulders, your waist. He had to get a hold of himself, he thought. 

As you raised your arm to make sure your earrings were on properly, one of your bracelets snagged at the neckline of your dress. Nothing had happened yet, but if you moved in the wrong way, you’d have a horrible wardrobe malfunction on your hands. A soft ‘Oh!’ escaped you as you realized what was happening. Fred’s eyes darted from yours to your hand, where your eyes were fixated on something.

“What happened?” He mumbled as he quickly moved you with his hands on your elbows and simultaneously stood in front of you, making sure the scene was as difficult as possible for the cameras to capture.

“My bracelet’s stuck,” you explained, eyebrows furrowed and eyes zoned in on the tangle. 

His hands quickly covered yours, gently moving your fingers out of the way. “Here, let me.”

You rolled your eyes with a laugh. “You’re like my own personal assistant today.”

“Yeah?” He asked with a small smile, still working on your bracelet, glad that you seemed to be enjoying yourself even now.

He was a bit worried about you today, especially after he initially saw you at the entrance to the carpet. He knew the high of working on this project was coming down for you and he wanted to be there to support you through it all. 

“Mhm,” you nodded, “first the train of my dress, now this. What next? You’re gonna pull out a powder puff and take care of the shine on my forehead?”

“If this suit had big enough pockets, I’d pull out a plane and fly us out of here.”

“Where would we go?” You laughed.

“I don’t know, the Maldives? Russia? The moon?” Fred laughed with you as he pulled your hand back down, your bracelet and your dress back to their previous intact positions.

“Well, I already told you two that I want to go take pictures.” Paul’s voice broke the bubble that seemed to continuously form around the two of you. He stood next to you and placed a hand on your and Fred’s shoulders. “Hate to ruin the moment, lovebirds, but there’s only so much time before the movie starts inside.”

Paul pushed the two of you towards the spot prepared for the photos. Ahead of you was the rest of the cast, all lined up. Pedro Pascal, Connie Neilsen, Joseph Quinn, and Denzel Washington all stood together chatting and laughing. Paul went and stood next to Pedro, and Joseph made room for Fred between him and Denzel. You slid up next to Paul, feeling like it was the best fit for you between the group of people without causing another shuffle. 

Paul scanned the lineup, eyes flicking between you and Fred when his eyes narrowed slightly. “This won’t do.”

Without another word, he began casually nudging people aside, muttering something to Pedro, giving Joseph a knowing look. Slowly but deliberately, he carved out a space beside Fred.

A space for you.

“There. Much better,” he smirked, stepping back to admire his handiwork. He placed a firm hand on your shoulder and pulled you into place.

Your cheeks burned as Fred grinned and tugged you closer into his side. Joseph smiled knowingly at you and draped an arm across your shoulders.

Paul darted back to his place and in turn the cameras flashing intensified.

‘paul fred and y/n seem like such good friends i could cry 😢’

‘we all know paul has tiktok and hes in the loop, this man knows exactly what hes doing to us fred x y/n shippers’

‘HIM FIXING HER DRESS LIKE THAT? TOMDAYA 2.0! THIS IS EXACTLY WHAT THE WORLD NEEDS 😩’

‘guys! a lip reader figured this one out! paul: ‘you’re smitten and you’re not being subtle about it’ and FRED SAID ‘who said i wanna be subtle?’ IS HE NOT THE CUTEST BOYFRIEND IN THE WHOLE ENTIRE WORLD?’ ↳‘paul ships it, he’s on our team’ ↳ ‘and he was telling her how good she looks at the other end of the carpet, did you see?’ ↳ ‘at one point he even says ‘you’re my love’ and i just about melted’ ↳ ‘no he said ‘lovie’! that’s what caracalla calls her in that one scene! NO SPOILERS GUYS!!!’

‘FRED THE MAN THAT YOU ARE!!!’

‘i can’t tell if i want y/n or if i want to be her’

‘paul making sure y/n is next to fred during the group photo’ ↳ ‘did you see how joseph looked at them!! everyone ships these two!’ ↳ ‘goes to show how literally everyone is rooting for these two’ ↳ ‘so true! they’re the cutest couple ive ever seen i feel like a proud mom’

‘first he fixes the train of her dress, next he helps her when her bracelet gets stuck, then what? huh? i die? is that what these two want from me?’

‘never getting over the cast making sure theyre next to each other in the group pic, theyre so loved’ ↳ ‘you mean paul specifically lol’

After a few pictures were snapped, a coordinator in charge of the media coverage told you to reshuffle. They wanted a few photos of Fred with Joseph and Denzel, and some of just the two of them. Some of Connie and Pedro, and some with Paul as well. A mixture of photos that represented their work together on screen. And of course they wanted some of you and Fred, and some with Joseph. And the last group on the list was you, Fred, and Paul.

When Paul came to join you, he placed his arm across Fred's on your lower back, both of their hands now landing on either side of your waist. “Hey,” He smiled warmly at you. “You alright?” 

You hummed in confirmation. “Thank you for that, back there.” You tilted your head to the side, knowing Paul would understand that you meant how he made sure to put you next to Fred in the group photo.

“I have no clue what you're talking about.” He smirked, eyes fixed forwards on the cameras. But his hand squeezing lightly at your waist told you otherwise. He was so perceptive when it came to you, making you feel like you were an open book. It brought you back to a day on set. A long time ago. When the concept of you and Fred was something you were too afraid to talk about out loud in fear of ruining the magic of it. Your relationship was on the precipice, the very edge of friendship before the ocean of something more.

The day, you had confided in Paul about the very thing that led him to do what he did only moments ago.

~

“You guys are cute.” He had said, catching you admiring your lock screen. It was a picture of you and Fred on a picnic blanket. Paul had taken it the day before. Everyone on set thought it was a nice idea to have lunch outside. The weather was perfect, the grass was green, and there were butterflies everywhere. You and Fred took a blanket for yourselves, to no one’s surprise. 

It was the next day that you were sitting with Paul on the set of the Colosseum and he showed you the picture he took of you. You quickly changed your phone wallpaper after he sent you the photo at your request. It wasn’t anything fancy, his film was still getting developed, though he promised you loads of pictures from that once it was done. This picture was just taken on his phone camera, but it was just as beautiful to you. He was so talented with cameras, capturing each moment beautifully you could almost hear it.

“Thanks.” You replied, avoiding his eyes. It felt strange—this fragile stage of something new unfolding under so many watchful eyes. But you knew that would be a sacrifice that you’d have to make. Especially with how slow you were going with Fred.

“Does it make you uncomfortable?” Paul asked. You hummed in response, asking for elaboration. “Us watching?”

“What do you mean?” You asked, needing further explanation. He couldn’t read your mind, could he? Was he really asking about the same thing you were thinking of? Were you that easy to read? Maybe to Paul, you were.

“I know you guys are taking it slow,” Paul said softly, like it was a secret he wasn’t supposed to know. Your eyes lifted to meet his. “Fred told me.”

“He talks to you about me?” You asked, your smile evident in the tone of your voice.

“Always.” He replied, smiling just as wide as you unknowingly were. You and Fred were some of his closest friends on set. You all had the same sense of humor and attitude towards life, it was easy to find companionship with the two of you. And he wasn’t surprised that you two found love within each other. But he worried about it at times. “He always talks about you.”

“All good things, I hope.” You chuckled quietly, the smile ever growing on your face as you thought of what Fred might tell Paul in your absence. Maybe he mentioned your weird obsession with stuffed animals, or how you clung to his arm whenever the two of you went for a walk.

After a beat of silence, you remembered his question and your brows knitted in thought. “Why would it make me uncomfortable?”

Paul inhaled through his nose and looked out onto the bleachers ahead of you. “I don’t know… It’s just that- I don’t think I would be comfortable in your position, is all.”

“Why is that?” You knew how you felt about it all, but you always explained away your emotions. A bad habit, you knew. But you were genuinely curious and wanted to hear a somewhat objective opinion on this whole situation. 

“Just feels so-” He looked back at you now, studying you. Hoping, even, to see something telling in your expression at his confession. “Exposed, in a way. Raw. Like these feelings that really only one person should know about are on display to everyone around me.”

“Says the guy who had a first date on a live stream.” You retorted, the playful jab coming quick to mind.

Paul shook his head with a chuckle. “You know what I mean, dickhead.”

Your head cocked to the side as you thought of his words, truly taking them in. “I guess it does kind of make me feel strange.”

“Yeah?” Paul’s brows raised, appraising your face once more.

You nodded with a hum. “I’ve never- I mean, I’ve never really had a proper relationship. I don’t think I can even call this one a proper relationship. Not yet, anyways. And when I really think of it, it does feel a little unfair that what I always thought would be intimate and private is on display like this.”

“I’m sorry.” Paul spoke morosely.

“It’s not your fault.” You smiled softly, placing your hand on his. 

“Feels like it is sometimes.” He admitted. You shot him a questioning look. “‘Cause of the pictures.” He explained. “I just want to capture the moment. For you guys, not for anyone else. But whenever I point a camera your way, it’s like I’m pulling everyone’s attention to you with it. I feel guilty whenever you two are having a moment and everyone’s staring. You’re not doing anything wrong.”

“I think we’re asking for it a little.” You huffed out a laugh, squinting in the sun. The underlying bitterness in your voice didn’t go unnoticed by Paul. “It’s a bit dumb to try and start a relationship in an environment like this. Months on end on one set with the same group of people. It’s annoying to have everyone’s attention like that, but everyone else probably thinks we’re annoying too.”

“No, don’t say that.” Paul shook his head, his eyes sharp as he shot down your self-blame. “You don’t plan out relationships in advance, that’s not how things work. We’re not like normal people, we don’t get to clock out and go home when time’s up. We’ve moved to fuckin’ Malta, we film day and night. We eat, sleep, and breathe on this set. And if something like that does happen, where would you even hide it? You can’t! Not that well anyways… You guys are doing this well. Better than most.”

“You think?”

“Yeah, I do.” He nodded with certainty. “And I… I didn’t know this was your first relationship. I’m sorry. It’s not fair to you.” He apologized again and your heart squeezed. 

“Yeah.” Your lips pressed together in a combination of agreement and embarrassment. “But it’s okay. To answer your question, I mean. I don’t think- I don’t feel uncomfortable.”

“No?”

“No.” You shook your head. “He makes me feel safe—like I’m home. Like we’re in a bubble where nothing bad can happen.”

~

Tucked into Fred’s side, surrounded by the cameras and the noise of the final premiere, you felt that same comfort—like you were in your own bubble with him. There were still interviews, panels, and endless appearances ahead, but this moment felt like the end of something special. And you were grateful that Fred was here, anchoring you through it all.

next part>>

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[ash-and-starlight]

they're inventing a new sport called extreme acrobatics to defend a white woman and tumblr just won gold and set a new olympic record!!!1!11 🥇congrats!

[teeny-tiny-revenge]

I've been meaning to make this post for months now but hey, here is. Some of you may remember I made DVDs of OFMD a while ago. I rambled extensively about it here.

Quick refresher or in case you haven't seen them:

They have disc menues that play Gnossienne Number 5 and have individual episode pictures. Also there's sleeves and discs labels!

Why am I telling you this (again)? Well, I happen to have all the files you need to start your own basement pirate DVD manufacturing career on a burner Google Drive. So if you too wanted to have DVDs of our beautiful show on your shelf at home, you could download the files, grab a DVD writer drive and a bunch of empty DVDs and get right to burning them. No particular skill needed because the files are done and ready to go at a click. There's also a bit of a how-to on there that I hope is helpful for those confused. Piracy ho, friends!

[bagofmice]

Fan-made Demon form concept for @another-lost-mc 's OC Tenebris

Isn't it ridiculous how tiny the wings are in obey me??? like asmo's are nothing more than glorified fans- even the biggest wings [lucifer's and diavolo's] wouldn't be powerful enough to lift their owners up

time to crawl back under a rock and work on my 368 unfinished projects

[aquanutart]

She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!

[frc-ambaradan]

THAT pause. THAT smile. Thrawn in essence.

[intotheelliwoods]

Last round of Keychains are back on Etsy! <- <-

Both A and B grades! Collectively there is a bit under 30 left, looking to get the remaining little guys off my hands to good homes!

I will keep this listing up either until they all sell out, or after 2 weeks! Whatever comes first!

[iliothermia]

Apologies, I wanted to make a public note that I've shut off my anons because too often lately I've gotten messages making incorrect assumptions about me and then telling me to do something I'm sure you all can guess. I guess because people know I'm Jewish, but I've been distancing myself from stressful topics to focus on my medical stuff, I don't know.

Anyway, I wanted everyone who's messaged me with personal events to know it wasn't because of them, serious personal messages especially about struggles with one's body are never a bother to me. I'm cheering everyone on and only want things to get better for them!! ♥️

People can still ask me with (***) in their message and I'll reply privately.

Seeing (another) doctor tomorrow, wish me luck

[bruhstation]

thank you for the enthusiasm for the human tugs on the last post! have more of them, and a bit of insight into the things they enjoy :]

[eurekq]

VETTED FUNDRAISERS

Here are the requests for aid that I received in my inbox. I checked the vetted status of all of them and to the best of my knowledge all of them are legitimate. Please consider donating if you can!! I apologize for the long post, but I wanted to share the families' messages. Highlighted in red are campaigns that are particularly low on donations.

@samerpal

kr92,549 SEK raised of kr450,000 target

@mohammedalanqer

€46,164 raised of €58,000 target

@salem-baker

€27 raised of €38,000 goal

@ahmedabuomar

€243 raised of €30,000 goal

@ahmedharara

$50,000 goal <- NO DONATIONS AS OF YET

@mahaibrahim12

kr44,867 NOK raised of kr1,067,200 goal

@alhabil

€16,005 raised of €50,000 goal

@ranensblog

€1,386 raised of €80,000 goal

[wishchip106]

kinda want to rewatch apocalypse just to criticize it again

see if there’s anything else i can pull apart

or maybe dofp

idk i need to just pick one and watch it

but it’s too late for that i have a good sleep schedule to keep in tact i cant ruin it now

just gonna need to pick something from my brain

i mean when Charles get baldified i physically cringe idk what it is about it

maybe its the fact he just lost his beautiful princess locks 💔

and when apocalypse takes over cerebro and Charles eyes go black. there’s something about it that just doesn’t fit and i have no idea what it is

also how was it a bad thing apocalypse sent all the nukes to space (apart from actually littering and causing some other problems due to that)

i don’t think we should let old people have access to bombs let me have them or something

the old men are sad because they lost their lethal toys ☹️

something i don’t understand is why stryker took Moira

like i get why he took the others but Moira???

tf did she do??

conspiring with mutants?? huh????

honestly the movie would’ve been just the slight bit better if Moira wasn’t there

SHE DID NOTHING

LIKE ACTUALLY NOTHING BUT STAND AROUND IM SO PISSED

DO SOMETHING????

all she did was flash around her title that she works at the CIA

you can’t convince me Charles is straight i know he’s sucked dick AND taken it up the ass 🤨🤨🤨

moving to a new topic BUT WE COULD OF HAD MISTER SINISTER

like there was more reference to him in new mutants BUT STILL

SHOW ME ESSEX CORP WHAT DID THEY DO WITH LOGANS BLOOD???

did transigen steal from them or something? maybe that’s one of the ways they could of made Laura who knows

idk what else i could talk about that i haven’t already said

[g00seg1raffe]

A (comparatively) Brief Thought about Steve Harrington's Names

Lucky Stevie has full names in three different languages and they're all equally incriminating in different ways!

For context: Steve's parents meet just as the summer of '66 is ending, in a perfectly legitimate bar with absolutely no connection to organised crime in Chicago. They introduce themselves as Christopher (call me Chris, Christopher is shite) Harrington and Anita (but you, bello, can call me Tina) Martino. They are both lying.

See, America is it's own little world. Founded by desperate refugees and religious extremists, the USA is the New York of the western world - the perfect place to disappear, because no matter your sins, there's always someone weirder. And in this totally not shady bar in Chicago, these two strangers have a lot of sins.

Mr. Ciarán Ótis Marcin Ó'hArrachtáin is what some might call a terrorist. Those 'some' are, of course, all eejits who seem to be fecking delirah with the Brits treating the Irish Free State as a colony. But Ótis and Martyna didn't raise a spineless dosser, not on tales of the shite they saw in Nazi Poland. Ciarán wants to be just like his mama, so does the only thing he can at sweet sixteen and joins the IRA. It was a grand old time - until some spanner decided to start the boarder campaign, make some things go boom, then it all goes arseways and suddenly he's a wanted man. Now he's legged it all the way out to this bar in Chicago where he can find some mostly-legal work, set himself up as someone who doesn't need to check over his shoulder every five seconds - and maybe he can take a chance on this absolute ride of an Italian who's just walked in, Jaysus -

Sig.na Alessia Stefania "Pieterina" Serafini has made a name for herself as a mafiosa. Beloved, wild, ruthless granddaughter of Don Alessio - caporegime since nineteen and well on her way to consigliere - and, right now, in molti problemi with la Cosa Nostra. So much problemi that she's been effectively smuggled into the US, like that goddamn heroin shipment that started all these problemi... ah well. She just needs to lie low for a bit (a decade) with her American cousins on the less than legal side of Chicago before she can return to her cosca and the people she actually trusts not to stab her the moment she turns her back - and maybe she can have some fun with this bello, bello Irishman who's looking her way, dannazione -

So. Discussing the evolution Mr and Mrs Harrington's relationship is gonna have to wait (though I'd love to hear from you guys) - the important thing here is the family history.

================================================

Tina's side: Alessia Stefania "Pietrina" Serafini.

Tina's father is Vincenzo Serafini and her grandfather is Alessio Serafini. Her first name is the feminine of her paternal grandfather's name. Steve's middle names are also from them.

(In case it wasn't obvious, the Serafini family are heavily involved in the Italian mafia - potentially involved in the Ciaculli massacre in '63 - and also have ties to the American mafia.)

Tina's mother is Pietra Tedesco and her grandmother is Stefania Tedesco. Her middle name - Stefania - and her son's first name - Stefano - are from her maternal grandmother. "Pietrina" is a diminutive nickname for Pietra - they're saying she's just like her mother, and since they figured this would be easy and natural enough for Steve to remember, his agreed Italian 'cover' surname is Di Pietro.

(Pietra is the feminine of her father's Petri Tedesco - which is itself the new name chosen by the German runaway Peter Thälmann. No relation to German Communist Party Leader Ernst Thälman, no sir, nothing to see here.)

So: Stefano Alessio Vincenzo Serafini - or, when he doesn't want to advertise the mafia part - Stefano Di Pietro.

Chris' side: Ciarán Ótis Marcin Ó'hArrachtáin.

Chris' father is Ótis Ó'hArrachtáin, and his paternal grandparents Steafán and Keira Ó'hArrachtáin. He gets his first name from the masculine of his grandmother's name, his middle name from his father, and gave Steve his grandfather's name.

(Steafán and Keira worked their asses off their whole life to put their kids through school, ennabling Ótis to work at the Irish embassy in Poland, where he managed to smuggle a handful of refugees past the Nazis to Britain, of which his future wife, Hannia Marcinkiewicz, was one.)

Chris' mother is Anita Marcinkiewicz. He gets his middle name from her surname. Steve gets his Irish 'cover' surname from that.

(Anita and her son are very similar as teenagers and young adults - the same heady cocktail of jaded rage and a naïve sense of justice, motivating spiky teens in parallel shitty situations to commit near-suicidal acts of heroism, with similar results. Just what did Anita do? Nothing you can prove, of course...)

(Yes, Anita Marcinkiewicz and Anita Martino - a wild coincidence that kicks of conversation for our young lovers in Chicago. Not in any way manipulated by an omnipotent fangirl who wants her OCs to have something neat to make slightly awkward but unexpectedly wholesome small talk about over a Guinness and a Negroni in a bar in Chicago). (This is why Chris calls his wife Tina all the time when anyone else would get shot if she's feeling anything less than saccharine.)

So: Steofán Ciarán Ótis Ó'hArrachtáin - or, when he'd rather avoid any connection to the wanted terrorist - Steofán Ó Máirtín.

================================================

Of course, as half Irish and half Italian - or, well, 1/8 German, 2/8 Polish, 2/8 Irish and 3/8 Italian but who's counting. Aside from me -

The point is, he's Catholic as fuck. He can be non-practicing and still Catholic (bc fuckboi), he can lose his faith and still be Catholic (bc interdimensional hell monsters), he can be an atheist (bc Irish) and still be Catholic, ok - he is Italian and Irish, there's no cure.

So, yeah, he's definitely been christened. And sure, you can old give any old name to the government (fuck them anyways) as long as it suits your purposes. But your christening name is the one that God knows you by, okay, you don't want to lie to the priest and end up with the wrong name tag when you get to heaven (or if, I guess).

What I'm saying is the paperwork says Steven Otis Harrington, but some poor Father/Reverendo gets hit with Stefano Stiofán Alessio Ciarán Vincenzo Ótis Serafini Ó'hArrachtáin. Good fucking luck!

[lemongogo]

oo u want 2 draw soo bad..